Personal computing discussed
Moderators: renee, Dposcorp, SpotTheCat
SpotTheCat wrote:Why did you buy a D200 mattsteg... how much did that throw you back?
mattsteg wrote:SpotTheCat wrote:Why did you buy a D200 mattsteg... how much did that throw you back?
$700. Was really starting to miss a lot of what it gives me over the D70 (and that's still absent from the D90 in many/most cases). Better external control accessibility (most particularly a dedicated af-on button), better weather sealing, setting banks, mirror lockup, a bit bigger RAW buffer, and metering with manual lenses (nice bonus but not immediately relevant) were the main things I was looking at it for. The bigger, brighter viewfinder was a bit more of a boost than I was expecting, as was the gain in AF speed with bigger screwdriven glass. The speed boost is nice as well. The bit better sensor is nice. Wasn't counting on more than a minor resolution boost and a tad more DR at base ISO, but it feels more immediately dialed-in than I remember my D70 being. That might just be adobe getting their camera profiles finally sorted out though. The noise character is a tad nicer, but haven't used the D200 in the specific situation where the D70's wasn't to my liking (large "clumpy" noise in defocused tree-green backgrounds). I didn't upgrade for the sensor, though. Features and handling were what I was after.
SpotTheCat wrote:mattsteg wrote:SpotTheCat wrote:Why did you buy a D200 mattsteg... how much did that throw you back?
$700. Was really starting to miss a lot of what it gives me over the D70 (and that's still absent from the D90 in many/most cases). Better external control accessibility (most particularly a dedicated af-on button), better weather sealing, setting banks, mirror lockup, a bit bigger RAW buffer, and metering with manual lenses (nice bonus but not immediately relevant) were the main things I was looking at it for. The bigger, brighter viewfinder was a bit more of a boost than I was expecting, as was the gain in AF speed with bigger screwdriven glass. The speed boost is nice as well. The bit better sensor is nice. Wasn't counting on more than a minor resolution boost and a tad more DR at base ISO, but it feels more immediately dialed-in than I remember my D70 being. That might just be adobe getting their camera profiles finally sorted out though. The noise character is a tad nicer, but haven't used the D200 in the specific situation where the D70's wasn't to my liking (large "clumpy" noise in defocused tree-green backgrounds). I didn't upgrade for the sensor, though. Features and handling were what I was after.
Ahh, you wanted features not in the D90.
BTW if you think the D200's LCD looks good, grab a D3 (or a D90 or D700 at that)
When I saw the LCD on my dad's D3 my eyes nearly popped out.
Hoser wrote:Hopefully I'll win this Sony Alpha 300K on eBay. I was looking at the Nikon & Canon DSLR's, but the thing that sells me on the Sony is the fact that I can use my Minolta lenses on this camera. So I will have a nice 75-300 zoom lens as well as a wide angle lens.
mattsteg wrote:Did you make sure you were getting a US model with all accessories included? Not sure about sony, but with some other manufacturers even getting (paid) service for grey market imports can be difficult. Sometimes the savings that you get from ebay dealers ends up being expensive.
Lens compatibility is a huge consideration. Switching is a hassle and the differences between brands are usually pretty minimal.
Whatever you don't borrow someone else's camera with a better viewfinder. My d70 (similar in magnification to your A300) is like a dark tunnel compared to my d200. It's perfectly fine until you become spoiled by something nicer, though.
SpotTheCat wrote:What wide angle do you have? I have to admit I am rather ignorant in the sony/minolta/pentax/non-nikon or canon camps.
mortifiedPenguin wrote:Those look pretty good, might want to bump up the EV though; it's a tad on the dark side. How does it "feel"?
Hoser wrote:Macro? That's a fine lens but it's not a macro, just a traditional fast 50mm prime. Should be a fine match to your camera, although I find 50mm to be a bit of a tweener on APS-C bodies.I found a macro lens in a box in the closet. It's this one here. I'm still looking for my WA lens though. *scratches head*
mattsteg wrote:Hoser wrote:Macro? That's a fine lens but it's not a macro, just a traditional fast 50mm prime. Should be a fine match to your camera, although I find 50mm to be a bit of a tweener on APS-C bodies.I found a macro lens in a box in the closet. It's this one here. I'm still looking for my WA lens though. *scratches head*
Hoser wrote:I know it's not a true macro (not at all I guess), but it's the closest thing I have. *shrug*
Hoser wrote:It's good for far more than macro. The classic normal primes are generally quite sharp and overall nice optically, and that one's the higher one in the K-M lineup (their standard one is f/1.7 I think). Should be nice for low light shooting and useful for portraiture, for starters. Could always slap it onto some extension rings or reverse it for macro too.I'm not going to spend hundreds of dollars on a true macro lens just for the odd picture. I guess this one will have to do.